Some vinyl manufacturers may request that your audio masters be sent on an audio cd r.
Mastering for vinyl specs.
Vinyl has notable characteristics that cutting and mastering engineers need to be aware of when mastering for the format.
The riaa and nab have set forth specific physical groove vibrations to be determined as standard reference level.
10 minutes per side 10 at 33 rpm.
All jokes aside mastering audio these days needs to touch the loudness standards.
All mastering rooms calibrate their equipment to this level through test equipment and test recordings.
Ideally your vinyl pre master is one 24 bit or 32 bit floating point wav file for each side of the record at the native sample rate of your mastering session.
Apart from a few relatively minor refinements and the important later addition of stereophonic sound it remained the standard format for record albums until its gradual replacement from the 1980s to the.
5 minutes per side 7 at 33 rpm.
For vinyl the optimum source is 24 bit dynamic and limited either extremely lightly or not at all.
The lp is an analog sound storage medium a phonograph record format characterized by a speed of 33 1 3 rpm a 12 or 10 inch diameter and use of the microgroove groove specification.
Standard reference level or 0db.
Mastering for vinyl is the process of creating a separate master that can be cut into a vinyl record without added unwanted distortion.
Most records are cut at the following levels.
The sequencing difference is that delivery from mastering for digital is either individual wav files for download or a single ddpi file for cd replication whereas for vinyl the delivery is generally two wav files one for each side of the record.
Following these instructions will ensure that you are satisfied with the final product read more.
Mastering for vinyl to get the best results with your records you need to read the following before preparing your master source.
6 minutes per side 10 at 45 rpm.
However thoughtfulness and nuance are key.
This can be confusing since requirements differ from service to service so i wanted to create a simple table containing all presets that are included in the youlean loudness meter so you can easily find out what you need to do.
One such nuance is the relation between level and length of time.
7 at 45 rpm.
Introduced by columbia in 1948 it was soon adopted as a new standard by the entire record industry.
12 or 10 33 rpm.
44 1 khz or higher we prefer 48 khz.
22 minutes per side.
The strategies below have all been time tested and are even more useful for today s diverse selection of music.
17 minutes per side 12 at 45 rpm.
12 minutes per side 12 at 33 rpm.
24 bits 16 bits works too 32 bits is overkill.
Mastering for vinyl quick answer.
It consists of a mono stereo image up to 150hz a tamed high end and if needed a track listing that is consistent with the frequency limitations of record cutting.
